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The Producer as Composer: Shaping the Sounds of Popular Music

Virgil Moorefield. The Producer as Composer: Shaping the Sounds of Popular Music Authors:Virgil Moorefield.
Publisher:
Year:2005
Serie:
Pages:143
Sizes:
Price:2224 rub.
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Book Summary:
In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate eclecticism of George Martin's recordings of the Beatles did not resemble live performances -- in the Albert Hall or elsewhere -- but instead created a new sonic world. The role of the record producer, writes Virgil Moorefield in The Producer as Composer, was evolving from that of organizer to auteur; band members became actors in what Frank Zappa called a "movie for your ears." In rock and pop, in the absence of a notated score, the recorded version of a song -- created by the producer in collaboration with the musicians -- became the definitive version. Moorefield, a musician and producer himself, traces this evolution with detailed discussions of works by producers and producer-musicians including Spector and Martin, Brian Eno, Bill Laswell, Trent...

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